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Some more Thangka paintings that can be found at Atma Ethnic Arts shop in Veria Greece ...
1000 hands Buddha
1000 hands Buddha 108x65cm Thangka on silk "frame"
Avalokiteshvara, or Chenrezig in Tibetan, is an enlightened being who is a manifestation of all Buddhas' compassion. He is known as the 'Buddha of Compassion'. He usually appears as white in color with four arms. His first two hands are pressed together at his heart, symbolizing his respect for his Spiritual Guide, Buddha Amitabha, who is on his crown. Even though Avalokiteshvara is an enlightened being he still shows respect to his Spiritual Guide. His first two hands hold a jewel, which symbolizes his own enlightenment. This mudra is indicating 'I attained jewel-like great enlightenment through receiving blessings from my Spiritual Guide Amitabha'.
His second left hand holds a white lotus flower. A lotus grows in the mud at the bottom of a lake, but its flowers bloom on the surface of the water, completely free from the stains of mud. By holding a lotus flower Avalokiteshvara is showing that because he attained enlightenment he is free from all obstacles, and has a completely pure body, speech and mind. His second right hand holds a crystal mala, symbolizing that he can free all living beings from samsara and lead them to liberation.
If we rely sincerely upon Avalokiteshvara and recite his mantra with strong faith, temporarily we shall improve our realizations of the stages of the path, especially our realization of great compassion, and ultimately we shall attain supreme Buddhahood in Avalokiteshvara's Pure Land, the Pure Land of Bliss.
The Mantra of Avalokiteshvara:
OM MANI PAME HUM
THE KALACHAKRA MANDALA
THE KALACHAKRA MANDALA
103 x103 cm , price 600 euros.........SOLD...
Everything in this mandala is the symbolic representation of some aspect of the Kalachakra deity and the deity's universe. There are 722 deities in the mandala which symbolise various manifestations of aspects of consciousness and reality, all part of the ultimate wisdom of the Kalachakra deity. Understanding and interpreting all of the symbols included in the mandala would be like reading the Kalachakra texts, which contains a vast range of teachings from cosmology to epistemology to psychology.
The Kalachakra Tantra is interpreted at three levels referred to as external, internal and alternative. The external concerns the laws of time and space of this physical world and accordingly deals with astronomy, astrology and mathematics. The internal concerns the elements and structure of the human body, including its energy system. The alternative is the doctrine, path and fruit of the actual meditational deity and its circular mandala abode.
The Kalachakra deity resides in the centre of the mandala. His palace consists of our mandala, one within another: the mandala of body, the mandala of speech, that of mind, and the very centre, wisdom and great bliss.
The palace is divided into four quadrants each with walls, gates, and a centre. The colours are specific representations of the elements and mental types. Black, in the east, is associated with the element of winds. The south is red, its elements is fire. The west is yellow, associated with the element of earth, and the north is white, represent water.
The square palace of the 722 deities is seated upon the first concentric circles, the first of which of which represents the earth. The other circles, represent water, fire, wind, space, and consciousness extend beyond the wall of the palace. The outer circles, a representation of the cosmos, is a source of Tibetan astrology. The ten wrathful deities who reside in one of the outer, concentric circles of the mandala serve as its protectors.
The Kalachakra sand mandala is dedicated to peace and physical balance, both for individual and for the world, thanks to the deities carefully among minute human, animal and floral forms, abstract pictographs, and the Sanskrit syllables that comprises the mandala's design.
Although depicted here on a flat surface, the mandala is actually three-dimensional, being a five-storeyed "divine mansion", at the centre of which stands the Kalachakra deity the manifest state of Enlightenment.
A person who simply sees this mandala many feel peace on many levels. According to the Dalai Lama, the Kalachakra deities create a favourable atmosphere, reducing tension and violence in the world. "It is a way of planting a seed, and the seed will have karmic effect. One doesn't need to be present at the Kalachakra ceremony in order to receive its benefits," he explains.
Mandala Thangka 110x85cm
price 600 euros...... SOLD..
Mandala is a circle which is a device for the Tantric meditation. It is a visual aid for concentration and introversive meditation leading to the attainment of insights and to activation of forces culminating in "Siddhi" supernatural forces. The Mandala is the graphic representation of this process. It is not only theoretical but practical also as an operational scheme involving a clear plan for practical realization of the process within oneself. It thus becomes an instrument (Yantra). There are many types and varieties of Mandalas depending on the nature of the central deity. The most classic pattern of Mandalas is of the Dhyani Buddha. This Thangka depicts Buddha Mandala. The Mandala represents "palace of purity" a magic sphere cleared of spiritual obstacles and unpurified. The square of the "Sacred palace" proper is end used in multiple circles of flame, Vajra, eight centuries (appears only in wrathful deities) lotus, then the inner square to reach to the deity of the Mandala.
The Life Of Buddha Thangka
The Life Of Buddha Thangka 67x52cm
Buddha Life Thangka illustrates the life story of Buddha. All the historic part of Buddha's life is depicted visually in the Buddha Life Thangka. The Day he was born from his mothers right arm pit as she rested her arm on the branch of a big tree in the garden of Lumbini. The childhood locked inside the palace compounds, freeing him from the evil and preventing him from seeing and experiencing any kind of pain or suffering of outside world. The Day he ventured beyond the castle walls and came across sorrow, pain, death and those suffering � he saw beggar, a cripple, a corpse and a holy man � which affected the prince deeply, awakening a deep desire to find the corpse of suffering and thus alleviate it. The Night he escaped the walls of palace, when all were asleep and began the life of wandering ascetic. His years of fasting, meditation and time spent in painful search to find a way to end suffering. The full moon night when he had a direct realization of Nirvana (eternal peace), which transformed prince into Buddha. The Time he spent guiding people towards nirvana, love and friendship. The Day he left this world at the age of eighty, having exhausted his human body for the sake of all sentiment beings. All are shown in the Buddha Life Thangka Painting.
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